Subject: News from the University Church

View this email online if it doesn't display correctly

#Je suis pretre. Like many priests, this phrase takes on a new meaning for me since yesterday; it brings the almost daily attacks across Europe very close to home. The “I am Priest” has become the latest of the “I am” hashtags that began when gunmen attacked the Paris offices of the satirical newspaper Charlie Hebdo in January 2015. Soon after yesterday’s horrific murder of Fr Jacques Hamel, while he celebrated mass in Normandy, ‘Je suis pretre’ appeared on social media. Some have also used #JeSuisChretien and #JeSuisCatholique while others have been sharing Christian imagery in a show of support and sympathy.

 

Recently I said to a friend that there are moments when I stand behind the altar on a Sunday morning with one eye on the hymn book and the other on the High St door observing who is coming in. Any minister worth their salt will always have the safety of their congregation uppermost in their minds. Churches, like any public space, are vulnerable to the unknown even though according to Police Deputy Assistant Commissioner ‘there is no specific intelligence relating to attacks against the Christian community in the UK’. University Church is one of the most beautiful buildings in England yet perhaps one of its core beauties comes from it being a symbol of defiance against evil. It stands as a place where the narrative of perfect love overriding fear is conveyed each week.

 

This Sunday we have the first of our Summer Choral Evensongs at 5pm in the Chancel. These are often seen as picturesque occasions in a city and in a church like ours. Tourists leave their afternoon stroll in the meadow and drop in for a quintessential Oxford experience. But after a fortnight of relentless violence may this ancient service be a space to ponder a moment in the world where it feels like ‘there is no health in us.’ May it be a space to find calm, to pray for peace and to show our own solidarity for those who are closest to the suffering.

 

The Revd Alan Ramsey

Acting Priest-in-charge
Services
Tuesdays & Thursdays at 12.15pm
Lunchtime Eucharists

Sunday 31st July Trinity 10
10.30am - Sung Eucharist
Preacher - Revd Alan Ramsey

5pm - Choral Eucharist
Preacher - Revd Alan Ramsey
Music:
Responses: Tomkins
Canticles: Tomkins, The Fifth Service
Anthem: Purcell, I was glad
Hymn: 252  


Forthcoming Concerts & Other Events
Saturday 30th July 7.30pm Oxford Philarmonica
TONG-IL HAN PIANO RECITAL
SCHUBERT Impromptu in C minor, Op. 90, No. 1
SCHUBERT Piano Sonata No. 20 in A major, D. 959
BRAHMS Piano Sonata No. 3 in F minor, Op. 5

Respected worldwide as a leading piano emissary of South Korea, Tong-Il Han has combined a prolific performing career with wide-ranging pedagogical work within major universities and summer festivals. No less expansive is the sweeping lyricism of his chosen piano works by Schubert and the monumental gravitas of Brahms’s Sonata No. 3 in F minor.

Event not suited for children under 5. Wheelchair spaces are only bookable through the Oxford Philharmonic office on 01865 980 980

Prices: £20 / £15 / £10 (£10 / £7.50 / £5)

Thistledown Theatre: Emma: Tuesday 2nd August - Saturday 6th August & Tuesday 9th August - Saturday 13th August
From the novel by Jane Austen, adapted by Michael Bloom
Tickets: £15 at Tickets Oxford. More details at thistledowntheatre.com

Check out our website and Facebook pages.

______________________________________________________________________________________________________________

Poetry Corner
__

Grotto

Shell spangled
with the crusty shadow of death,

undergrowth
            spliced and wired
to make a bower,
reined in,
             espaliered wilderness,
crown of thorns,
             empty chamber,

through which the wind sighs
like a long withdrawing sea.




This gnomic poem is by Maura Dooley, and appears in the anthology The Poet’s Quest for God. We, the viewer, squat in the shell of the cave, having created an isolation from which we can look both inward and outward. This isn’t an incidental wilderness: it’s been ‘espaliered’, ‘spliced’, ‘wired’ – to some extent humanised. The isolation is purposeful and intentional. What is its desired effect? It is notable that the hermit, the intended occupant, is not mentioned, and we don’t get a clear sense of whether the cave is inhabited by anyone other than ourselves. The poet has set us in this closed place from which even the sea withdraws – but by omitting the hermit makes of us the anchorites, and thus a sense of community even in seeming isolation. 

Image: A Grotto in the Lava, 1832 (British Library HMNTS 726.k.34)

St Mary's Church, High Street, OX1 4BJ, Oxford, United Kingdom
You may unsubscribe or change your contact details at any time.