Subject: News from the University Church

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It seems there’s little respite from Brexaustion as negotiations with Brussels continue to dominate the news, and will do for a long time to come. But I must admit, I’m enjoying the sheer variety of angles that journalists are having to dream up to keep us all fully engaged. Since Saturday, The Financial Times has been covering everything from Theresa May’s strategic wardrobe choices through to Brexit’s alleged role in Softbank’s £24bn acquisition of Cambridge-based technology company ‘Arm.’

One of their most imaginative articles of the week, however, was yesterday’s piece, "Whitehall and Brussels hunt for British model." The FT explored four possible scenarios of what might happen, viewed through the perspective of the process rather than the outcome. They represent different paths: hostile divorce, a clean break, an amicable transition and a change of heart, in which Brexit is averted. The first scenario ‘hostile divorce’ saw talks collapsing and the UK becoming a low-tax, light-regulation magnet for global businesses, aggressively undercutting its EU neighbours. The ‘clean break’ envisaged strained relations between Britain and the EU but solid enough to agree trade terms and ratify the deal in the European Parliament. Scenario three ‘amicable transition’ imagined difficult but amicable talks with phased changes and minimised disruption. The last one, ‘change of heart’ is where Britain would invoke Article 50 but pull out of the formal process before it’s complete remaining a full EU member.

Each of the FT’s scenarios explored assumptions and verdicts, painting plausible pictures of the outcome of the talks. But the main thrust was that the ‘British model’ depended on the actual process itself: ‘the sum of all the cold calculations, surprise twists and political tantrums over the journey.’ They quoted French Diplomat Pierre Vimont, “The real question is not about the model in the end. It is how the negotiations will go and whether it will turn nasty or not.”

I found a lot of wisdom in the article by focusing on the how rather than the what. If our new government can act with honour, humility and generosity in the upcoming negotiations maybe things won’t end up as badly as some predict.

The Revd Alan Ramsey
Acting Priest-in-charge
Services
Tuesdays & Thursdays at 12.15pm
Lunchtime Eucharists

Sunday 24th July Trinity 9
10.30am - Sung Eucharist
Preacher - Revd Dr Canon Judith Maltby, chaplain of Corpus Christi College
Forthcoming Concerts & Other Events
Monday 25th July 1pm Derby Cathedral Choir
A lunchtime concert of beautiful music including Handel, Bruckner and Rutter

Directed by Hugh Morris, Director of Music
Organ Dr Tom Corfield, Assistant Organist

Free admission, with retiring collection

Saturday 30th July 7.30pm Oxford Philomusica 
TONG-IL HAN PIANO RECITAL
SCHUBERT Impromptu in C minor, Op. 90, No. 1
SCHUBERT Piano Sonata No. 20 in A major, D. 959
BRAHMS Piano Sonata No. 3 in F minor, Op. 5

Respected worldwide as a leading piano emissary of South Korea, Tong-Il Han has combined a prolific performing career with wide-ranging pedagogical work within major universities and summer festivals. No less expansive is the sweeping lyricism of his chosen piano works by Schubert and the monumental gravitas of Brahms’s Sonata No. 3 in F minor.

Event not suited for children under 5. Wheelchair spaces are only bookable through the Oxford Philharmonic office on 01865 980 980

Prices: £20 / £15 / £10 (£10 / £7.50 / £5)

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Poetry Corner
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October

The world being
praiseworthy
I went
and in the early morning
bought a pen.

Anja Konig

Next term’s series will take the theme of ‘the Muse’, looking at the different ways in which arts practitioners seek inspiration. Speakers include Antony Dunn, poet and dramatist, who will give a reading and workshop; and Dionysios Kyropoulos delivering a workshop on gesture on the Restoration stage.

I discovered this lovely poem this week, and it made me think of the many forms inspiration can take. Here, it’s not a specific instance or experience that has caught the poet’s eye, but rather the need to communicate joy. It is also a narrative poem: the speaker has motivation (the world is ‘praiseworthy’) and a goal (to write about it), so she kits herself out for the task with the purchase of the pen. It’s interesting that she doesn’t conclude with the act of writing – that she has written is evident in the fact of the poem’s existence – but she focusses instead on the tools required to make oneself heard. There is a hopeful practicality in this poem, which advocates action as a realisation of thought.
St Mary's Church, High Street, OX1 4BJ, Oxford, United Kingdom
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