Contents:
1 - New Podcast:
Kakapo-Do - How
NOT to be a
practitioner!
2 - Nine New
Online Bunkai
Videos!
3 - Upcoming
Iain Abernethy
Seminars
(Chicago,
Dresden, UK,
etc)
4 - Iain on the
Hiyaa!! THE
Martial Arts
Podcast!
5 -
Reconstructing
Tomari-te by
Stewart Squire
6 - African
Training Camp
2016
7 - Early Bare
Knuckle Boxing
Info
8 - The magic of
the left jab by
John Nawn
9 - Mick Tully
Seminar on the
4th of April
(Derby)
1 - New Podcast: Kakapo-Do - How NOT to be a practitioner!
If
you’ve been in
the martial arts
for more than
five minutes you
can help but be
struck by the
vast number of
animal names
associated with
techniques and
styles. We have
cat stance,
horse stance,
the anaconda
choke, gator
rolls, white
crane kung fu,
“crane on a
rock” (Gankaku
kata), Enpi
(Japanese for
the Swallow),
and so on.
We have lions,
bears, tigers,
cranes, snakes,
monkeys,
leopards and
many more.
However, I feel
we are missing
one animal. It’s
an animal that
accurately
reflects the
state of much of
modern martial
arts. The animal
in question is a
bird called the
“Kakapo”; which
is why I’ve
called this
podcast
“Kakapo-do” or
“The Way of the
Kakapo”.
The ancestors of
the Kakapo could
fly, but the
Kakapo itself
evolved in an
environment with
no predators,
and all was
well, until
predators were
reintroduced.
The Kakapo does
not recognise
its predators,
engages in
behaviour that
puts it at risk,
it can’t fly
(but tries to
when
threatened), and
it should come
as no surprise
to hear it is
critically
endangered.
I can see many
parallels
between the
Kakapo and much
of modern
martial arts (as
I’m sure can
you). The
podcast is
therefore
essentially
about the state
of modern
martial arts and
some of the
pitfalls we need
to avoid.
Thank you for
listening in and
I hope you enjoy
it!
All the best,
Iain
PS Checkout the
new music! Four
new tunes
provide the
background and
interludes and I
hope they add to
the listening
experience.
Listen to the podcast on this webpage: http://iainabernethy.co.uk/content/kakapo-do-how-not-be-practitioner
Listen to Iain Abernethy's Podcasts on Itunes: https://itunes.apple.com/gb/podcast/iain-abernethy-practical-application/id393104872#
2 - Nine New
Online Bunkai
Videos!
I've been really
busy with the
videos since the
last newsletter!
Below you can
find details of
NINE new videos!
1) Kanku-Dai /
Kushanku Throw
and Joint-Attack
This video was
filmed at a
seminar in
Norway in
January 2015.
Over the weekend
we covered
applications and
drills for the
whole of
Kushanku / Kanku-Dai.
This clip looks
predominately at
the joint attack
following the
throw toward the
end of the form.
The throw had
obviously been
taught
previously and
is hence the
mechanics and
nature of it are
only refereed to
briefly in this
particular clip.
It is also
important to
understand that
over the weekend
the progress of
the nature of
the methods as
we move through
the kata was
stressed.
Basically, the
simplest and
most applicable
methods are
taught toward to
start of the
kata. As the
kata progresses
it builds upon
previous
methods. This
throw and
joint-attack
therefore needs
to be understood
in the full
context of the
kata i.e. it is
not a primary
method, but a
secondary
supporting
method.
http://www.iainabernethy.co.uk/content/kanku-dai-kushanku-throw-and-joint-attack-video
2) Kushanku /
Kanku-Dai Bunkai:
End Throw
This short video
shows bunkai for
the end movement
of Kushanku (Kanku-Dai).
This variation
applies to the
“both arms up”
version. The
“one arm up”
version can be
applied in the
same way, but
the enemy would
be thrown to the
side in the
direction of the
hiki-te (hand
that is down).
The throw is an
advanced one
(for application
in
self-protection)
which is why, I
would suggest,
it is the final
movement of the
kata.
This clip was
filmed during
the Q&A section
at the end of a
three day event
in Clarksville,
Tennesse, USA.
I’ve also got
some more
footage from
this event which
I will share in
due course.
I hope you enjoy
this clip. If
you intend to
practise this
throw, then you
must do so under
the supervision
of a suitably
qualified and
experienced
instructor, with
suitable mats,
and with an uke
(recipient) who
is skilled at
break falling.
http://www.iainabernethy.co.uk/content/kushanku-kanku-dai-bunkai-end-throw-video
3) Passai /
Bassai-Dai
Bunkai: Gichin
Funakoshis Ude
Wa & Ebi Gatame
This footage
shows a small
part of a Passai
/ Bassai-Dai
bunkai drill
which was taught
over two full
days at a
seminar in the
Netherlands. The
techniques in
this clip show a
throw and hold;
both of which
were referred to
in the writings
of Shotokan
founder Gichin
Funakoshi.
The throw is
“Ude-Wa”
(arm-ring) which
Funakoshi shows
in his book,
Karate-Do Kyohan.
The following
submission hold
– which was
shown as an
interesting
aside to the
wider drill – is
called
“Ebi-Gatame”
(shrimp-hold)
and was referred
to by Gichin
Funakoshi in his
book, Karate-Do:
My Way of Life.
Later in the
day, we were
looking at ways
to regain the
feet should a
situation end up
on the floor. As
part of this, we
showed how
Ebi-Gatame can
be used to
remove the
enemy’s legs
from around your
waist. A short
clip of that
section is also
included.
Both of these
techniques are
potentially
dangerous and
they should only
be practised
under the close
supervision of a
suitably
qualified and
experienced
person.
http://www.iainabernethy.co.uk/content/passai-bassai-dai-bunkai-gichin-funakoshis-ude-wa-ebi-gatame
4) Basic
Karate Gripping
This video looks
as some basic
karate grips and
gripping
techniques. It
was filmed
during a two-day
seminar in
Germany in
February 2015.
Karate is
primarily a
striking system,
however it also
includes a great
many grappling
techniques; as
found within the
kata and as
recorded in old
texts such as
The Bubishi,
Gichin
Funakoshi’s
Karate-Do Kyohan,
Kenwa Mabuni’s
Karate-Do Nyumon,
etc.
To ensure these
grappling
methods can be
applied
effectively,
gripping skills
are required.
Indeed, gripping
skills are also
required to
effectively
deliver strikes
at close-range.
This short video
records an
introduction to
two commonly
used grips,
three gripping
techniques, and
the some methods
that can flow on
from those
grips.
Although not
shown in this
clip, at the
seminar the
participants
were also
instructed in
live drills to
ensure genuine
competence in
those methods.
As is always the
case, this short
clip cannot show
the entirety of
what was taught,
or how what was
taught fits
within the wider
system and
methodology of
training.
Nevertheless, we
hope the clip is
of some use and
that you find it
interesting.
http://www.iainabernethy.co.uk/content/basic-karate-gripping-video
5) Kururunfa
Flow Drill
This video shows
a flow drill for
the first half
of Kururunfa
kata. It was
filmed during a
class at a four
day residential
course in
February 2015.
This part of the
kata primarily
concentrates on
controlling the
enemy’s limbs in
order to limit
their striking
options whist
creating
openings for
your own
strikes.
As is shown in
the clip, it is
possible to put
all the methods
shown in the
first half of
the kata end to
end in order to
drill them as a
single entity.
Such drills are
useful when
learning the
bunkai of a kata
(such that the
solo-template
and two person
drill closely
match), but they
are only one
part of the
wider
methodology
needed to make
kata work. The
methods also
need to be
drilled in
isolation, in
various
combative
contexts, and in
unscripted and
live drills.
There is a brief
discussion on
the beginnings
of this process
towards the end
on the clip.
This video shows
snippets of what
was practised
and can
obviously not
record in full
the wider
methodology of
which this drill
was part. I
nevertheless
hope that the
clip is useful.
http://www.iainabernethy.co.uk/content/kururunfa-flow-drill-video
6) Naihanchi
/ Tekki-Shodan
Limb Control
Flow Drill
This video shows
a slow motion,
and practise
speed,
demonstration of
a limb-control
flow drill for
Naihanchi /
Tekki Shodan
kata. The early
part of the
video was a
short
demonstration,
given by Lee
Taylor and
myself, so that
karateka at a
residential
course could
take a little
footage to act
as an aid to
memory. It is
not intended to
be an
instructional
clip, but as an
aide-mémoire for
those who had
just learnt the
drill.
The second part
of the video
shows Charles
and Joe – young
1st dans in my
home dojo –
doing the drill
at practise
speed. The clip
was filmed by me
on a low
resolution
mobile phone, so
the quality is
not great. You
can, however,
see what is
going on and get
an idea for how
the drill would
be worked in
practise.
One thing to be
crystal clear on
is that this is
a drill where a
fleeting range
(“trapping
distance”) is
artificially
maintained to
allow the
practise of a
specific skill
set i.e. how to
get limbs out of
the way to land
strikes. In real
situations one
would not see
extended bouts
of limb-control
as presented in
the drill. The
back and forth
nature of the
drill – while
being good for
time efficient
practise – is
also not ideal
because it could
foster a “back
and forth”
mind-set,
whereas a more
dominating
mind-set is
required for
self-protection.
All of that
said, when used
in the right
context as part
of a wider
training
methodology
(which obviously
can’t be
communicated is
short videos
like these) such
drills can be
useful and do
have a role to
play
http://www.iainabernethy.co.uk/content/naihanchi-tekki-shodan-limb-control-flow-drill-video
7) Shisochin
Bunkai
This video looks
at bunkai for a
few sections of
Shisochin kata.
In particular,
we look at the
“signature
sequence” of
Shisochin both
as it appears
towards the
start of the
kata and with
the additional
entries and
exits found
toward the end.
As part of this
we also cover
the bunkai for
the “rising
double elbow”
and the end
turn.
This video was
filmed at a
residential
course in
February 2015.
This short clip
does obviously
not show all of
the instruction,
but we
nevertheless
hope you find it
interesting and
of value.
http://www.iainabernethy.co.uk/content/shisochin-bunkai-video
8) Transition
drill with
partner and pads
During an
intensive
residential
course in March
2015 we covered
a number of
transition
drills. These
are drills to
get the student
used to flowing
from technique
to technique in
such a way that
dominance is
maintained. This
drill includes
head-butting,
kneeing,
groin-kicking,
palm heels,
slaps and
dropping
hammer-fists.
We have a great
many such drills
and they come
together to
provide
“templates for
movement.” It’s
is our
experience that
when the
templates have
been
sufficiently
drilled, smooth
transition and
relentless
pressure will
become intuitive
such that they
are ever present
when freely
applied. We are
therefore using
examples to
covey and intuit
principle. The
drills are never
ends in
themselves; and
hence they
should not be
mistaken as
being
“combinations”
to be used as
is. This drill
is one of many,
which together
form a useful
whole.
One of the
things this
drill helps
develop is
maintaining
pressure as
distance
changes. Notice
how we begin
very close, move
to kicking
distance, and
then finish at
hand-striking
distance. The
distance
“pulses” and it
does so in other
ways in the
other drills not
shown here.
We begin by
working the
drill with a
partner in a
controlled way
so the student
gets the correct
feel of how the
techniques
within the drill
would be applied
on a human body.
It is then
necessary to
move onto the
pads such that
impact can be
applied. It is
the mix of
partner and pads
that helps
ensure the
various aspects
of an effective
and applicable
technique are
developed whilst
safety in
practise is
maintained.
In my personal
teaching and
practise, such
drills (which
are also drilled
without a
partner in
line-work to
allow for the
development of
internal body
awareness) take
the place of the
impractical
sequences of
otherwise
disconnected
motions that
much of modern
karate has
acquired.
Putting random
karate motions
end to end
archives little
and it is my
firm view that
practical skills
are most
efficiently and
effectively
developed
through
practical
sequences.
http://www.iainabernethy.co.uk/content/transition-drill-partner-and-pads-video
9) Jion Kata
Bunkai
This video shows
a selection of
bunkai for the
first third of
Jion kata. It
also shows how
the motions can
be combined into
a Jion flow
drill. As is
normally the
case, the
motions further
on in the kata
are meant to
interlink with
those that have
come before.
It’s not
possible to
explain the
entirety of this
process of
interaction in a
short clip like
this, but
nevertheless it
is touched upon.
The video was
filmed at a four
day residential
course in March
2015. It does
not cover all of
the instruction
given for Jion
kata so it may
be difficult to
follow at times.
It also needs to
be understood
that the wider
methodology is
not covered.
Videos such as
these cannot
adequately
capture in-depth
instruction and
are therefore
never intended
to be a
substitute for
such
instruction.
That said, I
hope you find
the clip
interesting and
useful.
http://www.iainabernethy.co.uk/content/jion-kata-bunkai-video
3 - Upcoming
Iain Abernethy
Seminars
(Chicago,
Dresden, UK,
etc)
Below you can find details of the open seminars that are taking place in the next few months. Details of others will be added as soon as details have been finalised. I look forward to seeing you at an event near you and if you have any questions about them, please don't hesitate to get in touch.
Seminar in Birmingham
Date: Sunday 22nd of March 2015
For more details please follow this link:
http://www.iainabernethy.co.uk/events/seminar-birmingham-0
Seminar in Presteigne, Powys
Date: Saturday the 28th of March 2015
For more details please follow this link:
http://www.iainabernethy.co.uk/events/seminar-presteigne-powys-2
Seminar in Wigan
Date: Sunday the 29th of March 2015
For more details please follow this link:
http://www.iainabernethy.co.uk/events/seminar-wigan-0
Seminar in Dresden,
Germany
Date: 18th and 19th of April 2015
For more details please follow this link:
http://iainabernethy.co.uk/events/seminar-dresden-germany
Seminar in Chesterfield
Date: Sunday the 26th of April 2016
For more details please follow this link:
http://iainabernethy.co.uk/events/seminar-chesterfield
Seminar in Chicago, USA
Date: 1st to 3rd of May 2015
For more details please follow this link:
http://iainabernethy.co.uk/events/seminar-chicago-usa-1
Seminar in Deal, Kent
Date: Saturday the 6th of June 2015
For more details please follow this link:
http://iainabernethy.co.uk/events/seminar-deal-kent
Seminar in Birmingham
Date: Sunday the 7th of June 2015
For more details please follow this link:
http://iainabernethy.co.uk/events/seminar-birmingham-1
To organise a seminar for your club, write to seminars@iainabernethy.com
For details of all seminars (including maps): http://iainabernethy.co.uk/seminar-dates
4 - Iain on the
Hiyaa!! THE
Martial Arts
Podcast!
You may be
interested to
know that I was
recently
interviewed by
the Hiyaa
Podcast! It was
a fun
conversation and
we covered quite
a few topics! If
you follow the
link below you
can listen to
the podcast
online and
download it. The
podcast is also
available via
itunes. I hope
you enjoy it!#
Episode 62 –
Interview with
Iain Abernethy
Welcome to
Episode Sixty
Two of Hiyaa!!
THE Martial Arts
Podcast – The
“that’s not an
accent, THIS is
an accent” Show
Meet Iain
Abernethy and
learn about his
martial arts
philosophy,
teaching,
writing, and
podcasting
goodness.
So join us for a
dark and stormy
day—both here
and in the UK—as
we battle the
elements to
bring Hiyaa to
your earholes!
http://www.hiyaapodcast.com/episode-62-interview-iain-abernathy/
5 - Reconstructing Tomari-te by Stewart Squire
Situated
at the western
edge of Naha’s
great city
sprawl is the
Tomari Port
Terminal. The
ferry services
that emanate
from there
connect Okinawa
to the
surrounding
islands, such as
“Kume and the
Keramas”.
Providing access
to the South
China Sea,
Tomari has for
centuries, been
an important
gateway into and
out of Okinawa.
The proximity of
its deep water
port and its
easy access to
the old Royal
Capital of Shuri,
meant that
Tomari, had an
important role
in the loading
and unloading of
commercial cargo
and official
tribute from the
surrounding
islands.
Prior to the
dissolution of
the old feudal
kingdom, Tomari,
was a centre of
diversity,
scholarship and
commerce. Not
only did
financial
transactions
take place but
educational and
cultural
exchange
happened
frequently with
many different
nationalities
venturing in and
out of the port
as well as
settling there.
(2)
Through this
vast enterprise
an exchange of
martial
knowledge took
place over many
generations
which led to
unique combative
methodologies
being retained
and developed by
the local Tomari
“Bushi”. Though
many of these
ways and means
have disappeared
in the years
following the
reforms
introduced by
Ituso Anko and
his supporters,
fortunately some
of the key
elements of the
local Tomari
methods have
been retained
and passed down
for us to
explore today.
The aim of this
article is to
explore some of
these underlying
themes which
differentiated
Tomari’s methods
for those found
around Shuri and
Naha, and
explore some
interpretations
of one of its
defining Kata:
Rohai.
You can read the entire article on this webpage: http://iainabernethy.co.uk/article/reconstructing-tomari-te-stewart-squire
6 - African
Training Camp
2016
We are in the early stages of planning an exclusive 7 day practical karate training camp in Uganda, Africa in 2016! Along with the training and comradery, we will also taking a trip to the top of the breath-taking Murchison Falls, taking a boat trip on the Nile, and taking game drives in order to see hippos, crocodiles, elephants, giraffes, antelopes and possibly even lions and leopards in their natural environment. Eric Parsons and I are working on the logistics and if you want to be among the first to know as things take shape – there will be a small number of limited places – please drop me an email at iain@iainabernethy.com and I’ll keep you in the loop!
7 - Early Bare
Knuckle Boxing
Info
Hi I'm Oz,
Iain
has kindly let
me send you some
information
about my
website, but
before I do I'd
like to tell you
a little about
what I teach,
and how I got to
teaching it.
My first proper
martial art was
Shotokan, I
started it when
I was a kid, and
like most people
I really bought
into it. I knew
deep down that
if I practiced
my kata enough,
and stretched
enough at home,
I'd be able to
fight just like
Bruce Lee. But
after several
years of
training I
started to get
disillusioned.
The bunkai I was
being taught
just didn't seem
to make sense. I
guess I wasn't
the only person
to feel that
way. A lot of
people in the
early 90s felt
the same way.
There wasn't
really anyone
teaching
practical, and
believable
applications the
way Iain is
today. But
unlike Iain I
took a different
route.
I overheard a
conversation one
day at a
medieval
re-enactment
event about an
ancient German
book that
described how to
fight with a
sword, and it
became a bit of
an obsession for
me, so I set out
to find it. I
eventually did,
but along the
way I found a
lot of things
that were much
more impressive,
at least to me.
I found books by
English people,
books that were
hundreds of
years old. Books
that taught how
to fight with
swords, daggers,
and
quarterstaffs,
books that
taught how to
fight with your
fists, how to
wrestle and
grapple. I gave
up Shotokan and
focused entirely
on learning
English Martial
Arts. Obviously
the karate I had
been taught was
nonsense, and
the real secrets
to fighting were
English.
But as the years
went on, and I
trained more and
more, I began to
realise
something that
surprised me. I
was teaching the
art of Classical
Pugilism. The
art of fighting
with bare fists
from an age
where grappling
and throwing
were a standard
aspect of
fighting. But I
also seemed to
be teaching
something that
looked a lot
like the
Shotokan I'd
done. Long
straight
punches, stable
stances, even
the blocks
looked similar.
One day, in a
draughty old
wrestling gym in
the North of
England I was
being taught
traditional
Catch wrestling
by a crotchety
old man who
couldn't walk
without a stick.
He was trying to
describe a throw
to me, a
shoulder throw
that landed in a
submission hold.
When he told me
to step over my
opponent as they
hit the ground I
realised I'd
been taught that
very movement in
Heian Godan
twenty something
years ago. It
was a bit of an
eye opener for
me.
I haven't gone
back to Karate,
but I have a new
found respect
for it. It turns
out the early
English bare
knuckle boxing
I've been
teaching for the
last decade or
so isn't so
different after
all. There are a
lot of strikes
to set up
throws, a lot of
holds, traps,
and escapes. And
a lot of sneaky
elbows,
backfists, and
“accidental”
knees.
Anyway, that's
enough about me.
I've spent the
last few years
writing e-books
and filming
videos on what I
do – trying to
spread the word
of English
Martial Arts. If
it sounds at all
interesting to
you then there
are all sorts of
things available
on my website, I
suspect you'll
be surprised at
how similar it
is to the
fantastic work
Iain's been
doing for years.
Some of it is
free, and some
of it is for
sale. I offered
Iain a cut of
any money I made
and he turned me
down flat. We
did agree
however that
instead of
giving him money
we'd give it to
someone who
really needed
it. And so if
you do choose to
buy anything,
I'm going to
give 50% of all
the profits to
the NSPCC (The
National Society
for the
Prevention of
Cruelty to
Children)
Read more and watch videos via this link: http://iainabernethy.co.uk/content/great-early-bare-knuckle-boxing-info
8 - The magic of
the left jab by
John Nawn
Details of
John Nawn’s new
book:
This
book is titled
the “Magic Of
The Left Jab”
for a very good
reason.
The Left Jab is
the first punch
all boxers are
taught. It is
used to control
the distance
between you and
your opponent.
It’s used to
probe your
opponent’s
defences. It’s
used to set up
combinations.
It’s used to
control your
opponent’s
movements. It’s
used to wear
down your
opponent
mentally and
physically. It’s
used to set up
knockout
punches. It’s
used to control
the speed, tempo
and intensity of
the fight and
much, much more.
It is in fact
the most
versatile punch
you can learn to
use.
IT IS IN FACT A
MAGICAL PUNCH!
The left jab is
a much
under-estimated
and under-
utilised strike.
The left jab
when used to
effect with good
footwork can be
a fight winner.
It can be used
in so many
different
circumstances
including but
not limited to
:-
• FEELING OUT
YOUR OPPONENT AT
THE START OF A
FIGHT.
• WORKING
DISTANCE.
• CHECKING HIS
REACTION SPEED.
• MOVING IN
BEHIND THE JAB
TO CLOSE THE
DISTANCE BETWEEN
YOU AND YOUR
OPPONENT.
• JABBING YOUR
OPPONENT OFF AS
HE RUSHES AT
YOU.
• WEARING YOUR
OPPONENT DOWN
PHYSICALLY BUT
JUST AS
IMPORTANTLY
MENTALLY.
• SETTING UP
COMBINATIONS.
• SETTING UP
KNOCKOUTS.
• THE JAB CAN BE
A KNOCKOUT
PUNCH.
We will discuss
all this and
much, much more
in this e-book.
Additionally,
when you buy
this e-book you
will receive a
link to two
youtube videos
that will
demonstrate some
vital exercises
with the left
jab.
http://www.amazon.co.uk/Magic-Left-Jab-John-Nawn-ebook/dp/B00TA3DJOC/
9 - Mick Tully
Seminar on the
4th of April
(Derby)
Details of this seminar can be found here: http://iainabernethy.co.uk/content/mick-tully-seminar-4th-april-2015
The World Combat Association
Iain’s
Introduction To
The WCA
The exponential
growth in those
returning to
practicing the
martial arts in
a practical way
means that there
is now a
pressing need
for a global
dedicated
association so
practitioners of
applied martial
arts can band
together for the
benefit of both
the arts and
themselves.
The bodies set
up to promote
sporting
offshoots or a
particular style
or methodology –
as useful as
they can be for
their members –
do little to
promote and
enhance what we
see as an
extremely
important aspect
of the martial
arts.
An open and
inclusive
worldwide
association is
needed for
pragmatic
traditionalists
and
practitioners of
functional
martial arts.
The World Combat
Association (WCA)
fulfils this
need!
Many martial
arts bodies have
a recurring bad
habit of trying
to limit the
freedom of their
members and
hence the WCA
aims promote and
enhance the wide
variety of
pragmatic
approaches
without imposing
unnecessary
limits upon
people.
The WCA will
wholly dedicated
to the promotion
and furtherance
of applied
martial arts.
Your standard
association will
typically deal
with things like
insurance,
providing
representatives
for competitions
etc. That is not
the role of the
WCA.
The WCA has been
set up to be an
independent
association of
likeminded
individuals who
believe that
applied martial
arts needs a
body to address
the specific
issues
associated with
our pragmatic
approaches ....
Read more: http://worldcombatassociation.com/?page_id=230
WCA on Facebook: https://www.facebook.com/WorldCombatAssociation
WCA on Twitter: https://twitter.com/worldcombatassn