Subject: A story of unparalleled love

The son wanted his father to die.

Not something we usually hear from this well known parable, right? Kenneth Bailey, an American author and professor sheds light on this parable with the realistic implications it held. In the parable, the younger son says to the father, “Father, let me have the share of the estate that will come to me”. The evangelist Luke puts it so simply, that we gloss over the fact that what is happening here is hurtful, offensive, and in radical contradiction to the most venerated tradition of the time. Bailey explains that during this time (and even in some parts of the world today), a son asking his father this is tantamount to wishing his father dead. Why? Because after signing off possessions to his son, the father still has the right to live off the proceeds. . . as long as he is alive. Bailey writes: “Here the younger son gets, and thus is assumed to have demanded, disposition to which, even more explicitly, he has no right until the death of his father”.


So why start this email on such a grave note? Because to understand the beauty and mystery of the parable of the prodigal son, we need to depart on the real and serious matter on which it is built upon. For a full review and insight to both this parable and painting, keep reading!

A Story of Unparalleled Love

The Return of the Prodigal Son painting by Rembrandt Harmenszoon van Rjin was finished in 1669. Currently hanging in the Hermitage Museum in Saint Petersburg, Russia, this art piece has been admired for centuries by tourists, and one specifically, Henri J. M. Nouwen. Nouwen was a dutch Catholic professor, writer, and theologian who wrote the profound book The Return of the Prodigal Son: A Story of Homecoming. In it, Nouwen greatly examines Rembrandt’s painting, using his own personal journey as a backdrop while giving insights to real details depicted by Rembrandt. Although so much can be said about this parable and painting, we will only be looking at a few important details highlighted by Nouwen. For a full insight to the Prodigal Son, I’d encourage everyone to read his book which can be found on his website.

To begin, let’s look at the main focus of this parable: the Father’s welcoming mercy. In Rembrandt’s painting, its not for no reason that only a small portion is properly illuminated by light. Rembrandt draws the viewer to the laying of the father’s hand on his son, the symbol of his forgiveness and mercy. Taking a closer look, we find an interesting detail that Nouwen points out in his book. What we see is that the father's left hand appears larger and more masculine, while the his right hand appears more soft and feminine. Nouwen brilliantly comments on this and says, “The Father is not simply a great patriarch. He is mother as well as father. He touches the son with a masculine hand and a feminine hand. He holds, and she caresses. He confirms and she consoles. He is, indeed, God, in whom both manhood and womanhood, fatherhood and motherhood, are fully present.”

Next, take a look at the prodigal son’s appearance. Rembrandt has depicted him with his underclothes that are worn and just cover his exhausted body. The soles of his feet tell the story of a long journey home. The man is dispossessed of everything but one thing, his sword. It shows that although the son sold everything he owned, he never gave up his sword - his badge of nobility. In the midst of everything he had done and gone through, the son refused to give it up, as he clung to the truth that he was still the son of his father.

Interestingly enough, the father and younger son are neither centered in the painting, nor the only people illuminated. In the painting, Rembrandt makes it clear to show the disappointed presence of the eldest son. He distances himself from his younger brother when he says to his father, “this son of yours…”.

Nouwen points out that we are much like the eldest son at times. We feel almost betrayed when we are obedient and jealous of others. This inner resentment comes from a heart that feels it never received what it was due. But there is always a choice between resentment and gratitude. And as Nouwen writes: “The discipline of gratitude is the explicit effort to acknowledge that all I am and have is given to me as a gift of love, a gift to be celebrated with joy.”

Thankfully, whether we are the prodigal son that takes everything and leaves, or the eldest son who stays but takes everything for granted, our Father continuously seeks us out. In the parable we read, “While he was a long way off, his father saw him…”. God isn’t inside the house, preoccupied with other things. Nor does he chase us down and force us back to him. Instead, God constantly seeks us out, looking and awaiting our return. But He doesn’t stop there. He not only welcomes back and forgives his lost son, but he clothes him in the finest robes and shoes and throws him a feast! And when noticing his eldest son wasn’t present at the celebration, the father leaves the celebration to invite the eldest to join. To put it another way: the father’s unconditional love is shown to both sons. He embraces the younger son and gives him the best celebration the household has ever seen. Yet he leaves it in search of his other son to remind him all he has is his.


The infinite depth of this painting and parable is truly extraordinary, yet it doesn’t even scratch the surface of God’s unparalleled love. Let us not just remember God’s unconditional love for us, but also that we are called to be like the father. For as Henri Nouwen puts it: “true fatherhood is sharing the poverty of God’s non-demanding love.”

Framed Prints & Canvas

Starting at $37.00

Bring the beauty and depth of this parable into your own home. Available in 3 different moldings, we offer the Prodigal Son by Rembrandt as a fine print under glass or as a framed canvas piece. Click below to see individual sizes.

Prodigal Son by Rembrandt
Starting at 8x10" Framed Print

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Prodigal Son by Rembrandt
24 x 36" Framed Canvas

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Prodigal Son by Rembrandt
8 x 10" Museum Framed Canvas

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